![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibovdCJWibuI9rm90XyvvFee7MrEAFOKC5SpeIT5w3qK29uni1DuQa6tpaAhVpHeK4JnKFT9O_jciYWYDAvncrjPk4AUf3ca7QPU0S0tr5KsBCMQN_6ypTLclnRoHpdh9pTP2NoQ/s320/Picture+3.png)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg51Vg71SzYnZEeSRB9nLutVdCE8kYjf_Ug3Ku7RgYYhwyNz_NC8xB69GQfd6vVVT3CCn3KZwBusKA4WR0IHf9KyfLn3BqMG0gSoFhfWDZeUIqjaLWlTeHGJhyphenhyphenZb0g8_avAel_ROA/s320/salcedo-01.jpg)
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Doris Salcedo has cut a trench into the turbine hall. Following on from her chair installation in Istanbul biennale which was left for 53 hrs the length of a Supreme Court Siege in Columbia. Highly influenced by Joseph Beuys mix of well choosen materials and political messages.
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